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It's Friday, June 18, 1925
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The morning train
enters Middletown by crossing the Scherzer Rolling
Lift Bridge pulled by my largest loco, a Gem 2-4-4-2. There are a few
fishing shacks along the river to the right.
The operating bridge
was scratch built from an Alan Armitage article. The coal hopper cars
are some of six scratch built from a Jack Work article years
ago. The river was made from plaster colored with Floquil
Coach Green to simulate a river you wouldn't want to fall in.
This aerial view shows a little more of the river port and the bridge. In the foreground there are some fishing shacks and row boats. These row boats were made from IBM cards.
Morning activities around town include the icing of a couple of
refrigerator cars. This ice service is called Poli Ice after my friend
Gene Griffin, who was once a state policeman. To the residents, it's known as
"Fuzz Griffin's place." At the High Street Station, just out of sight above,
are passengers waiting to board the Tour Train.
Other morning activities find the truck,
with crushed ice, from Poli Ice on the dock at Steph & Wes's Fish.
Apparently neither Steph or Wes have shown up, so far, so the driver catches a
quick smoke while he waits. Next door, Rick's Marine is open. Rick
thoughtfully provided a bench outside so the wives and girlfriends have a place
to sit while their significant others shop for the latest in rods, reels, and
other marine purchases.
Even employees of the railroad are on the job, the job they should have finished yesterday. It's the ash cleanout pit that is somewhat overdue for cleaning. Hand shoveling and a horse drawn wagon are the norm. Back in 1925, labor was much cheaper than installing a mechanical ash remover.
Of course, other M&MM employees have a different
routine. Here, one of the railroad's engineers likes to take a dip in the
water to start his day. From his expression, it appears, even in mid-June,
the water is a little chilly. The roundhouse is just above the wall,
to the right. Back to the tour.
We will be using #78, a ten-wheeler, as our tour locomotive, Here it leaves the roundhouse, still under construction. It is still lacking a roof and finish details around the area. That door is the only one temporarily in place for this photo. I made this door of styrene because the kit doors seemed too short. Only 9 more doors to go.
Our ten-wheeler to be used for our tour is
about to leave the turntable. We won't need coal today since the loco was
filled before putting it in the roundhouse. The operators shack was built
by my good friend Tom Staton from Skaneateles, NY who is an excellent modeler in
On3. It has full interior detail and operator.
Over at the Middletown Station, the 0-4-0, a Varney locomotive
that was the subject of an article in Feb/1981, also on the cover, where
long time friend Harold Horner describes how he added the valve gear, other
details, and sound. The loco eases a box car to
our combination car. The M & MM RR runs on a tight budget and since
materials are needed at the mines, a box car will accompany the Tour
Train. You can see some of the passengers for our train waiting to board.
The engine is coupled to the train and all passengers are
aboard. The engineer gives the whistle a couple of toots and we're off on
our tour of the Middletown & Mystic Mines RR.
Again, we're crossing the lift bridge, heading for the track under the
stairs and through my wife's canned goods cabinet. We will be out of sight until we
cross the street in Middletown near the Middlesex Theater.
We emerge from under the stairs near the Middlesex Theater, a
prototype in Middletown. The marquee has fiber optic lights that chase
around the marquee on all sides. That gray building in the background is
the Arrigoni Hotel although residents, who have stayed there experiencing the
hard beds and poor service, refer to it as the Agony Hotel.
We continue up grade past Middletown's scrap yard. This was
the subject of an article in RMC Mar/1986 issue. The wall is made from balsa
wood and wood burned, and then colored, to simulate rock work.
Rather than show our Tour Train up close, I panned back a bit to
show the majority of the city of Middletown. In the lower left, you can
see the station our train left a few minutes ago. Also, in the lower,
center is the street we crossed by the Middlesex Theater. You can get a
better view of Hotel Agony (oops) I mean Hotel Arrigoni. It's the big gray
structure. We're due to enter another trip under the stairs and come out
by Miracle Chair Co.
We emerge from an under-the-stairs tunnel (again) by the town's
major employer called the Miracle Chair Co. It has a snappy slogan, 'If
It's a Good Chair, It's a Miracle". The steel deck girder bridge is
actually made from wood with wood angles added. That's the river harbor,
below, where we stared our tour.
The engineer eases back on the throttle as we near High Street
Station. As you can see, several more passengers are waiting to board the
Tour Train. On the left, are the tenements that I wrote an article in MR
Feb/1989 issue. It was by far, the most popular article I have written. The
washing on the line is aluminum foil, draped as necessary, and painted to
represent sheets and articles of clothing. Can you see the socks on the
bottom line? The dead weeds on the bank are
from my son Scott's hair when I used to give him haircuts when he was just a
lad. This was long before Woodland Scenics came out with weeds in their
product line.
Here is a closer look at the tenements and the building under
demolition next to it. Two different kit manufactures made a kit of this
model, Northeastern doing the best job. It's also available in N
scale. The article on the building demolition was in MR Aug/1988
issue.
As we continue to climb the grade, we pass by the grand old
home of P. T. Farnsworth, founder of the M & MM RR. He had his home
positioned between tracks of the mainline and with a panoramic view of
Middletown and it's freight and passenger cars as well as the roundhouse, all
in the valley below. He is always on his porch whenever a train goes
by. Our engineer gives him a toot on the whistle.
Our tour continues over a series of steel trusses to a somewhat
level spot in the grade before we start climbing again. These bridges were
made from Atlas bridge kits. I fashioned the between-truss supports from
strip wood. The clouds are on my backdrop, using an airbrush to create
them.
Passengers lean out the windows to catch a view the
waterfall below. That stone arch bridge was first formed with a 1/4"
plywood base, covered with screening. Over this, I laid a thin layer of
plaster. Once the plaster had dried, I scribed a series of horizontal
lines connecting them with vertical lines to represent stonework. The screening
ensures that the plaster will stick to the plywood.
We arrive at the most scenic part of the railroad, Gorgeous
Gorge. Here, a 6 1/2 foot mountain extends to the floor, A wood
trestle, 18" high and about 3 feet long causes our engineer to stop the
train so all passengers can get a view. I made this bridge by cutting basswood on my table saw using a veneer blade. The young woman on the platform
has convinced her boyfriend to take a photo of her, the trestle and train. (see
his results, next)
Her boyfriend must have quite an athlete to make this trek for
her photograph. He was probably pretty winded by the time he got back to
the train. The patient engineer waited until everyone was back on board
his train. So, on with the tour.
Just after the trestle, we travel through the shortest tunnel on the line.
Passengers gasp at the sheer drop just outside their
windows. The engineer drops to a coast here, no sense tempting any mishap.
I had a plaster arch bridge I got from somewhere. It was too short for
this scene so I cast matching blocks of plaster, scribed the stone, and added to
the arch portion of the bridge. At this point, the grade resumes, rather
steep, to Mystic.
This shot was to show that the layout is not complete and there
are still some bench work that need scenery. Here, our Tour Train just
exits a tunnel to cross a Howe Truss bridge after we did a figure eight inside
the peninsular tunnel. This bridge came from a Campbell
kit.
Here, the grade is very steep, about 6 percent. Even short
trains slow down to a crawl at this point. In the foreground, is a
structure (Alexe's Axes) from Harold Horner's layout which I plan to incorporate
into the scenery. Mystic is next.
Our train emerges from a short timber-lined tunnel by the Mystic
yard. Time seems to have passed by Mystic with the two-stall engine house
and timber-lined turntable pit. The engine house was built from plans in
RMC back in the late 40"s. It was submitted by John Allen who had an
opportunity to see this model at an model show. He chided me about making
the inside bracing wrong, which was wrong in the plans. I said to John,
"I made is just the plans called for it to be made".
Our train slows down as we enter Mystic. We will be passing
the Mystic station and continue on to Lands End station. A special treat
is in store for the passengers.
This view shows the town of Mystic. The coal towers, on the
left, were built from a prototype near me when I was 16 years old. It was
a subject of an article in RMC May, 1961. The gas station is from a
Railroad Avenue structure and the kit comes with the sway roof as part of the
kit. As you can see, this area has forced perspective creating more depth
than I actually had when I modeled Mystic.
Our train stops at Lands End station, just enough to clear the
narrow gauge tracks. This station was made by the late Rob Corriston, a
long time friend, who wrote many articles for the Railroad Model Craftsman.
Some passengers have already disembarked from the train.
They seemed relieved to stretch their legs after a long, cramped ride from
Middletown. Everyone is wondering why we didn't stop at the Mystic station
since Lands End doesn't offer any conveniences.
Beyond the view of our passengers, a K-28 Mikado, the largest loco of the Mystic
Mines RR, backs out the the single stall engine house onto a gallows
turntable. As you can see, the narrow gauge portion is even further back
in time than even the town of Mystic.
Our K-28 is leaving the turntable to pick up a couple of coaches
for our passenger to take a ride to the mine area. This is an extra treat
for our passengers.
The narrow gauge train meets our train at Land End. Now
word is spreading to our passengers what is happening and some excitement is
brewing. Other, older passengers, wonder if they can last on this extended
addition to our tour. Our passengers board the combine and coach of the
narrow gauge train.
All who wanted to continue the trip up to the mines have
boarded. A few stayed on the standard gauge coach preferring to relax
before the trip back home. Besides, the narrow gauge coaches are cramped
and ride hard over the tracks. Only the hardy are aboard our train.
After climbing the grade behind the town of Mystic, our train emerges on the
Clerke Memorial bridge. This bridge was built by the late Donald Clerke
and I was fortunate to be able to obtain this beautiful structure and
incorporate it into my layout. It wasn't easy to fit it in, and my
problems prompted an article that was published in MR Aug/2002 issue.
Our engineer accelerates quickly to make the grade as we enter
the tunnel. By the time our photographer got a shot of the train, just the
coach was visible.
We cross another trestle just after leaving the tunnel. At
this point, we have traveled from Middletown, height 36" to this point,
height 60". Everything is down hill from here.
A stone culvert bridges a small mountain stream, This
culvert was made from sheet balsa and stone was burned in with a wood burning
tool. The whole sheet was painted a light gray to simulate mortar.
Then, various shades of brown were dry brushed to simulate individual
"rocks". The man in the lower left has been panning that stream
for a long time but I don't think he has struck gold, yet.
This mine is one of three that will comprise Mystic Mines.
It was scratch built from one that stood in Park City, Utah. I had it entered
into an NMRA convention in Montreal
and it won 2nd prize, Structures. The other two mines will be positioned
on the other side of the peninsular.
At his point, you can view the train entering the timber lined
tunnel where it passes through from one side to the other on the peninsular.
This photo shows are train heading for Mystic Mine #3.
Although the track is in, that's all there is to see. Scenery isn't
complete yet but it's coming soon.
Mystic Mine #3 has a passing track and we were able to get our
loco to the other end of the train. The mandatory rule is that the
loco has to precede the train going down the steep grade, for safety
reasons.
We get back to Lands End station and a surprise is in store for
our passengers. It seems that Old #78 is feeling its age because they
discovered a broken link in the valve gear and it will take a while to get the
part. The M & MM RR is always prepared for such emergencies so they have
the rail car available to take us back to Middletown.
The sun is getting low in the sky as our rail car leaves Mystic
heading for home. It will be dark by the time we get back to Middletown.
As we travel by the founder's house once more, the sun is
setting. It's tough to tell if Old Farnsworth is still on the porch, but
my guess, he is.
We arrive at High Street Station to let those passengers off that boarded the Tour here. As you can see, most of Middletown is in darkness. The workers at the Eagle Paper Co. have long since gone home and Poli Ice, to the right, has the compressors going to keep the ice cold but only a night light lit, out of view. Our last stop is at Middletown Station.
We approach Middletown Station though the bridge where all traffic enters the
Middletown Yard. The moon is out now allowing for a photo to be
taken. It has been a long trip but I hope you enjoyed it. Next, and
last stop, Middletown station.
Finally, we have come to the Tour's end at Middletown Station. Looks like
some friends and relatives are in the station to welcome us home. This
photo is one that was saved from my old website, taken with my Nikon slide
camera. It's not digital quality but until I get a better digital camera
to replace this photo, it will have to do.